Wimbledon Chamber Choir | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Brief history | Wimbledon Chamber ChoirSaturday, 8 July 2006 at 7.30pm at Mitcham Parish Church
|
Flora gave me fairest flowers | John Wilbye (1574-1638) |
O grief even on the bud | Thomas Morley (1557-1602) |
Those sweet delightful lilies | Thomas Bateson (1570-1630) |
Lady when I behold | John Wilbye |
Amaryllis | Frank Bridge (1879-1941) |
Geraldine Hine (violin) | |
Sicut lilium inter spinas | Giovanni Perluigi da Palestrina (1525-1594) |
There is no rose | Anon (15th century) |
Ecce tu pulcher es | Michael Praetorius (1571-1621) and Melchior Vulpius (1570-1615) |
Chorale prelude: Es ist ein Ros' entsprungen | Johannes Brahms (1833-1897) |
Peter Smith (organ) | |
Five Flower Songs | Benjamin Britten (1913-1976) |
To Daffodils (Robert Herrick) | |
The Succession of Four Sweet Months (Robert Herrick) | |
Marsh Flowers (George Crabbe) | |
The Evening Primrose (John Clare) | |
The Ballad of Green Broom (anon) | |
Interval |
|
Now is the gentle season | Thomas Morley |
Those sweet delightful lilies | Thomas Weelkes (1576 - 1623) |
Sweet honey sucking bees | John Wilbye |
Maud | Michael Balfe (1808-1870) |
Ian Slack (tenor) | |
The Rose of Tralee | Charles W Glover (1797-1868) arr. Peter Smith |
My love's an arbutus | arr. Charles Villiers Stanford (1852-1924) |
Lay a garland | Robert Lucas Pearsall (1795-1856) |
Like to the damask rose | Edward Elgar (1857-1934) arr. Leslie Woodgate |
The Last Rose of summer | Thomas Moore (1779-1852) |